Posted in Lighting, Stock, tagged Cross Country, Digital, Dirk Anschütz, Getty Images, Location, Mamiya, Medium Format, Phase One, Photo Production, Photography, San Francisco, Stock on November 23, 2010|
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One of my most favorite parts of being a photographer is that I’m allowed to use a smoke machine pretty much whenever I want to. During my cross-country trip a few years ago I even ended up buying (a used) one, since that was cheaper than renting. I’m not sure how many people drive thousands of miles with a smoke machine in their car, but in any case, I’m one of them. So, Mr. Smokey and I went to San Francisco to visit my friends Jerry and Laurel and do a little shooting for stock. We had shot on a boat earlier that day and still had time to squeeze in a few more set-ups at another location. We went back to Jerry and Laurel’s beautiful house and started setting up in the kitchen.
We lit the place with a Porty and a head in the hallway, a 7b and a head behind the camera and a 7b hidden behind the stove with one head pointing at the model from below and the other head stuck in the oven. Also in the oven was my travel companion, kite-high on fog juice, chugging away.
I love disaster pictures. I really enjoy taking photographs of things gone wrong and trouble around the corner. At the same point I want to make money and stock pictures should be commercially viable of course. So here I talked myself into believing that this could be a great ad for a food delivery service or a restaurant business. I mean what better way to send a person to Taco Bell than to show the futility of home cooking. Alas, I can’t claim that I have produced a bestseller that foggy night in San Francisco. I had to learn that unfortunately disaster and commerce don’t always go hand in hand (at least not in stock photography). And yet, deep down inside I feel that smoking up a joint is it’s own reward and the shoot was completely worth it.
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Posted in Editorial, Lighting, Portraits, tagged Cold, Digital, Dirk Anschütz, Insomnia, Location, Magazine, Medium Format, Phase One, Photo Production, Photography, Portraits, Profoto, Publication, Sleep, Sleep Deprivation on November 15, 2010|
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When Prevention magazine’s Helen Cannavale called me up with an assignment to illustrate a story about the effects of sleep deprivation on the workforce, I immediately knew we were going to have a bit of fun on the shoot.
Based on the journalist’s findings, Helen and I bounced ideas around about what it means to be half asleep at work. We figured the model should be wearing a night gown and slippers to make it obvious that she should still be in bed. Then we came up with three work situations that can be caused by being overly tired. The first being a good nap on your desk, the second being a portrait of a cold, which tired people are more prone to, and the third showing clumsiness and irritability. Yeah, good times.
We scouted the workspaces at Prevention’s midtown office and found a corner with a few (mostly) empty rooms that worked out very nicely. We could set up there and be out off everybody’s way for the duration of the shoot. Then Helen worked her magic. First she booked the beautiful red haired Jana Schoep (Ford Models), who totally fit the color palette, did some nice acting and was a great sport on top of it. Then she got Jane Choi to do hair & make-up. Jane is a true artist and has worked with some great photographers and film makers. She did makeup on Bill Clinton and Christopher Walken for Martin Schoeller, for instance. Great Stuff. She can do nice and subtle and she can do nice and over the top. Here she turned our healthy, happy, well-rested model into a cold-suffering insomniac on the verge. After Jane was done with the makeup I kept wanting to apologize to our model for still needing her around for a few hours.
Maria-Stefania (Halley Resources) was the stylist and she put together a good outfit that worked well within that red, purple and blue color combo of a cold sufferer’s face.
We shot with a Mamiya RZ and a tethered Phase One back. We used Profoto Acutes to light the backgrounds and as fill lights and a ringflash as the main light because I wanted to get that “deer-in-the-headlights”-feel. The ringflash produced also some red eyes in the model, an effect that we didn’t expect (this was only my second shoot with it) but that we happily accepted. No, wait, wait: That we didn’t lose any sleep over. HA!
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Posted in Lighting, Portraits, Sports, Stock, tagged Digital, Dirk Anschütz, Location, Mamiya, Medium Format, Phase One, Photo Production, Photography, Portraits, Profoto, Stock, Travel on November 8, 2010|
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Returned and rested from my extensive (not really) European vacation, I have to ease my way back into the blogging lifestyle, so, here’s a short and easy post as a warm up for next weeks usual wordiness.
These pics were taken as a quick and easy shoot for Getty a few years back. The brothers live near my German hometown and are the neighbors of a friend of mine. When shooting stock it is important to keep the costs of production down (now more than ever) and besides, it’s always nice to work with people I know. So we asked the kids if they wanted to model in exchange for prints/files and we asked the mom if she was ok with it, and would sign a model release. Once that was squared away we went through the kids’ closets to pick the wardrobe. It wasn’t exactly easy to find outfits without tons of logos, but we got it done in the end.
If I were to ask a New York mother if it’s ok to take her two boys into the woods for a photo shoot, I would be a little afraid of the answer, but these boy’s mom just said I should try to keep ’em busy ’til dinner time. I love rural Germany.
We shot with a Mamiya RZ67 with a tethered Phase One P25 . One set of Profoto 7b’s and and set of Hensel Portys (2 heads each).
We started of with the ferile close up portraits….
staged a brotherly fight, which was a big hit (pun alert) with the boys…
and ended up showcasing their soccer skills.
Then dinner was ready and we all had to go home.
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